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Read more about the article Fascia in Faschion-Let the Body Lead
Kali Chandrasegeram

Fascia in Faschion-Let the Body Lead

  • Post published:October 7, 2026
  • Post category:Articles
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By Kali Chandrasegaram “Let the body lead” is a quote by Balbir Singh on one of his company’s photo docs for health and wellbeing above my photo with wings. I…

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Read more about the article ‘When she tore those papers, they looked like rose petals’
A 1000 Paper Cuts-Prathiba Batley

‘When she tore those papers, they looked like rose petals’

  • Post published:October 1, 2026
  • Post category:Articles/Reviews
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Images credit: John Slemensk Sanjeevni Iyer attended Prathiba Batley's new solo work 'A Thousand Paper Cuts', and met up with the artist later to discuss the making of the piece.…

Continue Reading‘When she tore those papers, they looked like rose petals’
Read more about the article Khoj: The Search So Far

Khoj: The Search So Far

  • Post published:September 23, 2026
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Urja Desai Thakore, Artistic Director of Pagrav Dance lays bare the questions and puzzles that need to be solved in the making of the company’s new production Khoj- The search.…

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Read more about the article Kalpana Raghuraman- Walking the Pathless Path

Kalpana Raghuraman- Walking the Pathless Path

  • Post published:September 4, 2026
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For much of her career, the Dutch choreographer Kalpana Raghuraman has weaved through many worlds. Image : Source, credit: Michael Schnater Born in the Netherlands to South Indian parents and…

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Read more about the article Between 8 and 1 -Street Dance in Dialogue with Bharatanatyam

Between 8 and 1 -Street Dance in Dialogue with Bharatanatyam

  • Post published:August 21, 2026
  • Post category:Articles
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Adhish Arul practices street, hip-hop, and a range of African dances in London and the UK. Originally from Pondicherry, he came to London via Chennai. Adhish started learning street dance…

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Read more about the article Dance Defies Boundaries

Dance Defies Boundaries

  • Post published:July 9, 2026
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How young contemporary artists are drawing on Indian dance techniques to enhance their performance. Featured in image: Micol Giovannini-top left; Rosa Lieckens-top right; Guilia Carastro bottom-left; Jingqui Ma bottom left.…

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Read more about the article Shilpanatanam: Innovating classical art while maintaining its depth

Shilpanatanam: Innovating classical art while maintaining its depth

  • Post published:July 5, 2026
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By: Meghana B for Line & Verse As a student of bharatanatyam and an appreciator of the classical arts, I am drawn to the aesthetics of its repertoire that has…

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Read more about the article Hemantika… and Beyond!

Hemantika… and Beyond!

  • Post published:June 26, 2026
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By Sanjeevini Dutta Image: Simon Richardson As part of the Southbank Centre’s vibrant South Asian Sounds Festival, the Sujata Banerjee Dance Company joins forces with Geetanjali Fine Arts Academy to…

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Read more about the article Kokuho: Holding a Mirror to classical arts

Kokuho: Holding a Mirror to classical arts

  • Post published:May 29, 2026
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By: Sanjeevini Dutta The Japanese film ‘Kokuho’ is currently playing in mainstream cinemas and I was lucky to stumble upon it. It blew me away, not only for the riveting…

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Read more about the article Kaana Kann Koti Vendum: On Seeing and Being Seen in Art

Kaana Kann Koti Vendum: On Seeing and Being Seen in Art

  • Post published:May 7, 2026
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Image credit: Robert Golden | Featured: Sasha Krohn and Vidya Thirunarayan Dance artist and ceramicist Vidya Thirunarayan reflects on how art works reveal themselves by the quality of the attention…

Continue ReadingKaana Kann Koti Vendum: On Seeing and Being Seen in Art
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